This coffee table started as a pile of mismatched reclaimed boards, some pale and clean, some dark and mottled, cut into a mitered chevron pattern instead of laid straight. It’s the same chevron motif that shows up elsewhere in the shop (an outdoor bench, a larger patio set), but built low and long, in coffee-table proportions, on a trestle-style base with a scalloped foot detail.

Finished Table Overview
The top is a long, low chevron field bordered by a mitered outer frame, a rectangular coffee-table footprint rather than a square accent table. What stands out most in every photo of the finished piece is how much the individual boards vary in color: warm honey tones sit right next to much darker, almost reddish-brown boards, so the chevron “V” pattern reads as a genuine patchwork of reclaimed material rather than a uniform stained surface. Small round holes are visible in several of the boards in the finished shots, consistent with salvaged lumber that had hardware removed at some point before this build.

The base is a trestle-style design: instead of four plain square legs, each end has a built-up post with a shaped, scalloped cutout at the bottom that gives it a decorative “foot” rather than a blunt square end. A shallow scallop is also cut into the apron that runs beneath the tabletop between the legs, echoing the same curved line. It’s a more detailed leg treatment than a basic four-post table, and it’s what most clearly sets this piece apart from the straight-legged version of the same chevron pattern used on the outdoor bench.
Materials & Tools
What’s confirmed directly from the build photos:
- Mixed reclaimed/salvaged boards of varying width and tone for the chevron top field
- Dimensional lumber for the trestle legs, apron, and mitered outer frame
- A cordless circular saw (DeWALT) for cutting boards to length and trimming the top flush
- A tape measure, hammer, and bar/pistol-grip clamps used throughout assembly
- Minwax Polycrylic and what appears to be a can of oil-based wood stain, visible alongside the table in the finishing photos, along with a rag and paint thinner for cleanup
Exact dimensions, board count, the specific source of the reclaimed lumber, total cost, and build time weren’t captured anywhere in the photo set.
Building the Chevron Top
The earliest build photos show the top already dry-fit onto its base, unstained, with the raw wood tones of the reclaimed boards much closer together in value than they’d end up looking once finished. The chevron field is framed on the perimeter by a straight mitered border, which is what keeps the angled interior boards from needing to meet the table’s edges at an angle themselves, the border does that transition instead.

A later overhead shot catches the top and its trestle leg posts mid-assembly, standing separately before final attachment, a useful reminder that the top field and the base were largely built as separate assemblies before being joined.

The Trestle Legs & Scalloped Detail
The leg detail is easiest to see before the stain goes on, when the shaped cutouts read clearly against the raw wood. Each leg post has a curved notch cut into its lower profile, and the apron beneath the tabletop has a matching shallow scallop between the legs, small details, but they’re what keep the base from reading as a plain box frame under a showpiece top.

Staining & Finishing
Between the raw-wood build photos and the finished shots, the color shift is the biggest visible change in the whole project, a stain pass pulled the individual board tones apart rather than blending them, so the finished chevron pattern shows much more contrast between light and dark boards than the same top did unstained. Cans of Minwax Polycrylic and what looks like an oil-based stain, along with paint thinner and rags, appear in the finishing photos, consistent with a stain-then-protective-topcoat process, though the exact product names and number of coats weren’t confirmed.


Why Reclaimed Boards for a Chevron Pattern
A chevron or herringbone top works with almost any straight-grained board, but using reclaimed, mismatched lumber instead of uniform new stock changes what the finished pattern actually communicates. A chevron cut from identical fresh boards reads mostly as a shape, the angle and the joinery are the whole story. Cut from boards that already carry different tones, this same layout becomes a genuine patchwork, where the color break between each board is as much a part of the design as the angle itself. That’s the trade-off worth knowing if you’re planning a similar build: reclaimed material makes the color-matching and layout planning harder (you’re arranging for contrast and balance, not just consistency), but it’s also what keeps a chevron top from reading as a repeatable kit part.
Frequently Asked Questions
What wood was used for this chevron coffee table?
A mix of reclaimed/salvaged boards of varying width and tone for the top, on a base built from dimensional lumber. The exact species and the specific source of the reclaimed boards weren’t documented.
Can you build a chevron top from mismatched reclaimed wood, or does it need to match?
This build is a direct example that it doesn’t need to match, the finished top leans into the tone variation between boards rather than hiding it. The main practical requirement is consistent board thickness and matching miter angles at the center seam, not matching color.
Related Projects
This table shares its chevron motif with an outdoor bench and a larger chevron patio set elsewhere in the shop, and it fits naturally alongside the other coffee tables in the portfolio, including a minimal modern coffee table and a rustic cedar coffee table. Links to those posts will be added here once they’re live on the new site.